Extravagant Drapery meets Crumpled Paper

Artist Clare Burnett is a sculptor, painter and site-specific artist based in London.  She can be found walking around the streets being inspired the banality of everyday detritus to working with schools and colleges to help students develop their creativity.

Clare is a great example of a modern artist finding a way to stay freelance and independent while working with institutions and galleries, using all her skills to ensure she earns an income from many sources to sustain her practice.

We have been really inspired by Clare’s approach to being a contemporary artist and her diverse practice, which is why we asked her to be an artist in residence for MyIdeasBook. Here she is sharing her thoughts and inspirations, in her own words.

Where do you seek your inspiration Clare?  I’m inspired by what I see in the street –the mass of visual information we are exposed to and the shapes and forms that we pass by.

What really excites you and gets your ideas flowing at the moment?  I have been working as Artist in Residence at Leighton House.  I have found the challenge of placing minimalist work in the opulent environment of the house very exciting.  The extravagant drapery in Leighton’s paintings has led me to notice the crumpled paper and abandoned boxes in the street and I have been making work inspired by this.

Do you still use paper sketchbooks and notebooks?  I do – I have never been very organized so I have several books on the go – one lost, one in my bag and one somewhere in the studio or house.  I often end up writing more than I draw but I still find them the easiest place to make notes and store bits and pieces.

Why does MyIdeasBook help the development of your work?  For my current artist residency at Leighton House, I found My Ideas Book incredibly useful early on.  Any links or images I found online, I stored in My Ideas Book.  I could easily see them laid out, or link to the websites, and it helped me see where I was going.  The Think Tool was invaluable and I used it several times to track the development of the project.

How has the internet changed the way you work? Has it opened possibilities and how do you embrace these?  At its best, the internet is great for quick research and is a great way for getting in touch with people.  Sometimes, however, I seem to spend hours getting nowhere in a virtual world.  So yes, treated with care, it’s great.

Do you intend to use the internet to market and sell your work?  I use it more to showcase my work rather than sell it.  It means people can quickly look at the work I am doing.  I also use it to link up with people through Facebook and LinkedIn.

Why did you choose to use MyIdeasBook?  I chose MyIdeasBook because, unlike anything else online, it felt as if it was designed by and for artists.  I find managing websites and images together cumbersome and it has provided me with an easy space to pull everything together.

You can see Clare’s website here and she has just completed an artist in residency and is currently exhibiting the resulting works at Leighton House in London:

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Clare Burnett, Artist in Residence, Leighton House Museum                                                7 December 2011 – 5 January 2012

Clare Burnett was this year’s Artist in Residence at Leighton House Museum.  Struck by Leighton’s use of elaborated folded drapery in his paintings, she has explored connections between it and the forms of abandoned paper and card left and blown around outside in London’s streets.  This exhibition, the result of the residency, prompts us to look afresh at Leighton’s paintings as well as notice things in the outdoor environment that might never have been noticed before.

So what is inspiring you at the moment? How are you collecting your thoughts and inspirations? and can you suggest any useful sites or links that Clare would like?

 

 

 

 

 

 

 

 

 

Why Rachel plays with shadows.

MyIdeasBook member and featured artist Rachel Welford is based in Scarborough, North Yorkshire in the UK. She designs and makes glass for architectural settings creating artworks that respond to the nature of a space, interact with the varying light of day and are constantly changing, allowing new detail and discoveries each time they are viewed.

Originally trained in fine art (painting and printmaking), the sensibilities developed during these early years are still evident within her current work. Gradually gravitating towards glass through a lifetime fascination with all things transparent, translucent and reflective, in 2009 she completed a Masters Degree in Glass at the University of Sunderland.

We asked Rachel about her inspirations, motivations and how she develops ideas. You can also see what inspires her in MyIdeasBook Community.
Where do you seek your inspiration?

I seek inspiration from the world around me – from anywhere. Wherever I go or whatever I do I keep my eyes and my mind open and I find that there are sources of inspiration everywhere, the world is full of them. Usually it’s something visual but not always. I then start to notice patterns that I’m inspired by in certain types of things. I examine the ‘what’ and the ‘why’, and that’s when ideas start to form. Sometimes this happens immediately, sometimes those sources of inspiration wait for ages, until some sort of tipping point moves things on to the next step.

What really excites you and gets your ideas flowing at the moment?

Shadows are a source of inspiration currently in the ‘gestation’ phase. I’m keeping an eye out for situations where very blurry shadows from things far away are combined with sharper ones from nearer objects. I’m also excited by the idea of combining moving shadows with frosted glass –shadows from nearby trees in the wind for instance, combined with film footage of shadows, and maybe layering again with sandblasted imagery on the glass surface.

The underlying inspiration, however, is light and how it interacts with objects and surfaces to create intriguing and complex two dimensional images.

Do you still use paper sketchbooks and notebooks?

I have several! I always have two paper sketchbooks on the go, one A4 and a small A6 one, although I use them less for art and more for writing notes, drawing diagrams to work out how something might be made, or making lists – things to research; germs of ideas; planning etc. My sketchbooks help me organise what I do and work things out. I also have a separate lined notebook for daily ‘to do’ lists. I do feel an urge to use sketchbooks more visually though so am thinking about that and may start drawing in them.

Why does MyIdeasBook help the development of your work?

I’m finding MyIdeasBook very useful in that it organises collections of images and notes by project or idea. In this digital age it’s useful to do this as a series of ‘books’ that can all be added to at any time. It offers an alternative to the linear chronological nature of paper sketchbooks, where notes or drawings for different projects are mixed up together but in date order, and can be hard to find at a later date. The think tool is really helping to get ideas moving and organise thoughts in a productive way towards plans and action!

How has the internet changed the way you work? Has it opened possibilities and how do you embrace these?

The internet has opened possibilities on lots of levels. It’s had a huge impact on speed of admin and communication – instant emails, internet banking etc. Of course it’s amazing as a low cost marketing tool – getting yourself out there and accessible. The internet is always my first port of call for research too – for keeping up with what’s happening in my field; market research; materials; techniques; services; finding opportunities and of course buying specialist supplies is easy online. I get nervous about a wholly cyber based life though so I still like to get out there and meet people face to face.

Do you intend to use the internet to market and sell your work?

I already use the internet to market my work. I have a website and use social media i.e. Facebook and twitter, I’ve had conversations with people on twitter who I can’t imagine making contact with any other way. I don’t see these solely for marketing to customers though, I like making contact with other creatives too. My next internet marketing project is starting an email newsletter that interested folk can subscribe to. When I get chance I’d also like to set up an online purchasing facility, but I’m not sure of the best approach as yet.

Why did you choose to use MyIdeasBook?

I thought MyIdeasBook would be useful in several ways. Collecting thoughts and developing ideas in a different manner to the chronological way of keeping sketchbooks was one. I’m interested to see if this leads to better ideas or being able to bring more of them to fruition – developing them in a more efficient way. The Think Tool was also attractive – anything to help get ideas over the rocky road to actually become something! I was also interested in the community – getting to see things by other artists, making new contacts and links. And it’s a marketing opportunity too!

You can more of Rachel’s work

www.rachelwelford.co.uk

http://rachelwelford.blogspot.com/

http://twitter.com/rachelwelford

 'Surface' 2011. Drawing of tree branch silhouettes. Black powdered pigment and graphite powder on paper. 1m x 1m Detail showing how the reflective surface of the powdered graphite catches the light, in comparison to the black powdered pigment and white of the paper.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Pandora’s 7 Secrets to Creative Harmony

I became intrigued by Pandora’s work after seeing her embroidering while at a conference! Her work is richly diverse and a great example of how an artist can develop their practice over time and by using different materials for expression and collaborating.

I wanted to interview her to find out a bit more about her process as inspiration for my new project collaboration, as well as inspire those of you interested in diversifying and expanding how you make work in the new economy. What Pandora has managed to do is combine a quality of life as a thinking, ideas based artist who makes work that generates an income. She continues to explore her fascination with dark and difficult issues and this manifests as evocative embroideries, sculptures and works on paper.

Pandora Vaughan was born in London 1970 and is a UK/Canadian artist combining a studio art practice with public commissions and landscape design. Her work is focused on spatial experience and social history, often with themes of imposed confinement. Trained in metalwork and painting, she flips between two dimensional and three dimensional regularly. She is particularly interested in the social significance attached to different media and will use whatever suits a project.

Pandora studied in Nova Scotia and London, gaining a BA in Fine Art, MA Art in Architecture and MA Landscape Architecture. She regularly exhibits in the UK and has built installations extending from Snowdonia to Devon. For the past ten years she has also collaborated with the Welsh architect Huw Meredydd Owen under the name V&O – working across an area encompassing art and architecture, buildings and landscape, ideas and action, and between the community and its potential.

Where do you seek your inspiration?

– looking at crumbled abandoned places

– standing in the woods

– painting exhibitions

– flicking through sculpture books

Nova Scotian architecture

– in conversation with Huw when we are melding our thoughts on a project and something starts to make sense

What really excites you and gets your ideas flowing at the moment?

– Two different strands really.

The first is re-inventing a space which is neglected and how to bring other people into a community project around that which is not patronising but fun. I’m working with Huw and Ellis Williams Architects on the design for a sailing centre in Pwllheli right now. The site is a rough industrial seascape with lovely dunes, lousy soil and too much parking. Our (Huw & I) task is to help create a sustainable and interesting landscape and to involve the local community in a creative way, the challenge is very exciting and the attitude towards inventiveness on this project makes a nice change.

The second thing is a much more personal, visual art related pre-occupation which is the notion of how to interpret beauty and creative expression which is confined or hidden by our inhibitions or fears. I’m looking at this in a sculptural way now after trying with two dimensions for awhile.

Do you still use paper sketchbooks and notebooks? 

– yes, lots. For sketches of ideas and lists of all the things I want to make something out of and why. Also for scanning and adding to proposals. It is much more immediate than opening a program, typing and trying to draw freely with a trackpad badly. I do use ‘notes’ on my phone though, for ideas which catch me without a book. I love looking at old sketch books and finding a beautiful sketch of an idea, it reminds me that I had one, or that some things have stayed with me for 20 yrs and not yet found a form.

Why does MyIdeasBook help the development of your work?

– particularly the storage of images and being able to come back to them and see the connections between them and evaluate why they mean something to me or what they have in common. Then the categorisation of them. It is comforting to know that this method of sorting out inspiration is a creative tool that others use also and not a flattener of ideas.

How has the internet changed the way you work? Has it opened possibilities and how do you embrace these?

– exposure to other projects and exhibitions which I would not have heard about or sought out mainly. I don’t use social media very much because I don’t have time and I want to be in contact with the world physically as much as possible. I am on an un-manageable number of mailing lists so I do a lot of deleting and rarely visit even the interesting ones. The whole system is just too overwhelming. No one has that much free time.

Do you intend to use the internet to market and sell your work?

– most of my work is project based and there are several places where opportunities are posted so I do use those. In terms of saleable work, no. Past experience has had people find old work online, want to purchase it only to have to tell them its long gone, or else scams from fake buyers. I welcome enquiries but I don’t have a place set up for selling individual works. I might like to have a website of my own for doing that rather than relying on management by others.

Why did you choose to use MyIdeasBook?

– I think it is really helpful. Its a place separate from my laptop storage system which I have to seek out when I am in the mood and I make it a part of my studio practice to review it and add things and see a continuum. I also wanted to help Binita get the project seen by more people because I think it was brave of her to set it up.

Where can we see or read about your work online? 

Axis The Online Resource for Contemporary Art

www.vaughan-owen.org

 This embroidery is a plan of Brixton prison in London.